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In this month’s latest exclusive Industry Interview feature for THE3XGP.COM, DJ Glew spoke to Brooklyn rapper Fabolous! Earlier this past summer, Faboloso released his fifth studio LP, Loso’s Way – his most compete album to date. DJ Glew talked to Fab about making MTV ‘s 2009 Hottest MC’s In The Game list, addressing his recent Twitter comments on 50 Cent, working with Ne-Yo on a joint album and much more! Special shouts go out to Jody ‘Cousin’ Laraya and Kevin Ash at Universal Music Canada.

Fabolous
DJ GLEW: How do you feel about placing #8 on MTV’s Hottest MC’s of 2009 list?
FABOLOUS: I’m receptive and I definitely feel like it’s a cool thing. I really think a lot of people look at the list and it’s a topic of discussion. There are a lot of mixed reviews about it and talk about some MC’s that shouldn’t make the list and some that should be higher. I look at it in a accepted way that I even made the list in their eyes and it’s cool. But at the same time you may ask somebody else and they may say I deserved to be higher on the list. Before this I wasn’t even on the list and I felt I should’ve been. So I’m accepting of it and thankful of MTV for including me on the list.
DJ GLEW: What has been your favourite Twitter trending topic?
FABOLOUS: Well the funniest one I made was either #lilmamais or #sorrybowow.
DJ GLEW: Give me an example of the Bow Wow one. Finish this Tweet: #sorrybowwow.
FABOLOUS: #sorrybowwow you can’t retire because your album sold 18,000 records in your first week. Take your brick like a man. That was the first one I put out there with him. [laughs]
Fabolous was ranked MTV’s 8th Hottest MC In The Game for 2009
DJ GLEW: You also have the Yung Berg’s head one. Finish this Tweet: #yungbergshead.
FABOLOUS: Oh ya. Yung Berg. [laughs] Yung Berg’s head is a Hip-Hop pinata, you keep hitting it until the Transformer pops out. [laughs]
DJ GLEW: What is a Twitter funeral? And what other Twitter terms have you invented?
FABOLOUS: A Twitter funeral is when you kill somebody via Twitter and you have to lay their Twitter account to rest. Usually the person doesn’t comply with it but the people know when you choke them so you have them a Twitter funeral. When you say T.I.P. that means Twitter In Peace that’s after you kill somebody and you just want to send your condolences.
DJ GLEW: How do you feel about the way Loso’s Way has been received?
FABOLOUS: I feel it has been received well. A lot of people have looked at it and have sort of broken it and seen me in a different light. I took a concept and gracefully made it work with what I wanted to say. But also made good music and also touched on the topic from “Carlito’s Way“. It got to be the number one record in the country on it’s first week. That was a great thing to me because at first it was leaked two and a half weeks before it was suppose to drop. So I was skeptical and not even sure if people would receive it as well or go out and still go get it because of how easy it was to grab a bootleg of it. It was really anticipated and people wanted to give it a hear. It’s hard when you want to hear something and really sit back and have to wait two weeks for the real one instead of just downloading it.
DJ GLEW: You have said that you want to work with Eminem. What type of song would the two of you record?
FABOLOUS: I have no idea I would actually like him to produce it and lead and then I would just follow. I think Eminem’s topics are a little different than mine in certain senses so I would really like him to come up with the scenario or topic or subject matter that he wants to take it in and I would speak from my lane and he can speak from his lane.
DJ GLEW: On Twitter you said: “Its interesting to c 50 Cent unite wit NY artists when he’s 1 of the reasons NY hip hop became so isolated & crumbled”. Can you further comment on this Tweet?
FABOLOUS: I think that if you were to ask 50 a couple years ago if you were to do a show with those people he would have said no. It was interesting to me. I actually was invited to do the show as well but I had a prior show so I couldn’t make it. He had these hopes up and he had really isolated himself with G-Unit when he first came out. He didn’t mix well with other artists and rappers unless it was Eminem, Dr. Dre, Lloyd Banks, Tony Yayo, and whoever was affiliated with him. He use to offer if you wanted to come be with him then you can come be with him and get money but other than that he wouldn’t rock with you. He hasn’t had many collaborations other than on his songs and this is why I found it interesting and out of no where they put together this show with New York rappers and Hip Hop which is great. But it’s kind of this destroy and rebuild situation.
DJ GLEW: Do you think it’s because of the lack of interest people are showing him now? Do you think he’s trying to do the DJ Khaled and unity thing?
FABOLOUS: I don’t really think he’s trying to do that. I don’t really know what’s going on in 50′s head of why he actually did it. But I put it out there for a topic of discussion and people had different perspectives on it. Some people said it might have been another one of his marketing things or publicity stunts. Other people said maybe he’s growing up and done beefing with certain people. I just put it out there for a topic of discussion and I wasn’t taking shots at him. I think certain people misunderstood in blogs and emails. Blogs will sort of take it and twist it in another way. But what I really did was put it out there like how a talk show would sensationalize or put shock value to it. But it would be something that would have been a conversation in the barbershop. But that’s what Twitter is, it’s like a big humongous barbershop where everyone puts in what they think. So that’s what I did when I woke up this morning and I saw something online about it. It just happened this weekend so I usually just speak about things that are relevant at the time.
DJ GLEW: Who is your favorite R&B artist to collaborate with?
FABOLOUS: Well all-time I would have to say Lil’ Mo. We have such a great chemistry, she’s also a fun person, cool to work with, and down to earth. Recently, me and Ne-Yo work pretty well and he’s also a good guy. There’s also Ryan Leslie because he’s a genius musically. I pretty much like working with a few people so you can have me going on and on but that’s just a rough bunch.
Fabolous ft. Keri Hilson – Everything, Everyday, Everywhere (2009)
DJ GLEW: What songs have you recorded with Ne-Yo for your joint album? And when’s that project coming out?
FABOLOUS: Actually we’re just putting songs together and trying to compliment the music for it. We reached out to Ryan Leslie to tie into like a co-executive producer of the project. We’re trying to put it together but it’s probably not going to come this year maybe like a next year thing. We’re just trying to bring that Hip-Hop and R&B marriage back and people haven’t done it on a biggest scale. Some of the biggest songs or radio songs are generated through the marriage of Hip-Hop and R&B.
DJ GLEW: What was the last thing you threw in the bag?
FABOLOUS: Yesterday I went to Barney’s and did a little shopping because there’s a Hip-Hop awards show (2009 BET Hip-Hop Awards) coming up and also there’s a couple videos to do. I just did a little shopping and kept my eye to what’s out there. I threw it in the bag but not too much. I also bought a Louis Vuitton book bag because I thought it was a cool thing.
DJ GLEW: Do you think over sized and overpriced throwback jerseys will ever make a comeback?
FABOLOUS: [laughs] Over sized not really. Overpriced I don’t know about jerseys. It’s hard for me to see jerseys coming back because it’s past it’s time and era. I looked at some of my jerseys before and tried them on and I couldn’t believe I wore them that big but I never use to pay for them and stuff like that. I think it had it’s time and era but I think it’s over. I don’t know anything that comes out 20 years ago and comes back so soon. I think it might be a little time before you see a jersey on somebodies back.
Fabolous ft. The-Dream – Throw It In The Bag (2009)
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Das Anliegen von Martin Frechen: Kinderherzen höher schlagen lassen Der Manager ist 1968 in Köln geboren absolvierte nach dem Abitur eine Bankausbildung bei der Westdeutschen Landesbank in Düsseldorf, ehe er Wirtschaftswissenschaften an der privaten Universität Witten Herdecke studierte. Innerhalb des Studiums beteiligte sich Frechen an einem empirischen Forschungsprojekt über US-amerikanische Unternehmensethik am Center for Business Ethics, Bentley College in Waltham/ Massachussetts. 1996 begann er Als Trainee seine Karriere bei Tengelmann. Im Jahre 2000 wechselte Martin Frechen zum Kuscheltier Hersteller Margarete Steiff GmbH. Unter anderem leitete er für zwei Jare die Steiff-Niederlassung in den USA. Nach einer zwei jährigen Unterbrechung als internationaler Vertriebsleiter bei der Firma Hamberger Flooring GmbH & Co. KG führte ihn sein Weg wieder zurück in die Welt der Kuscheltiere. Seit 2006 ist Martin Frechen Geschäftsführer der Margare¬te Steiff GmbH. Sein Ziel ist es, den Kuschelfaktor in die Kinderzimmer zurückzuholen. Seine Leidenschaft für Steiff-Tiere begann bereits im Kindesalter mit dem Affen Jocko und legte so den Grundstein für eine Markenbindung, die bis heute anhält. Mit Martin Frechen ist es dem Unternehmen Steiff gelungen, die Marke wieder rund ums Kinderzimmer zu positionieren. Das erfreut nicht nur die Kinderherzen.